
On SS Rajamouli's birthday, I, a GenZ, reacted to his critically acclaimed 2009 fantasy drama Magadheera. The film features Ram Charan and Kajal Aggarwal in lead roles.
When SS Rajamouli’s Magadheera hit the huge display screen in 2009, it become a turning factor for Telugu cinema because it have become their first film to gross Rs 100 crore. While the Ram Charan and Kajal Aggarwal starrer was taken into consideration a visible spectacle, however in 2025, it felt like getting into a pitiful trade fact – with questionable VFX, flinch dialogues cringed, and turned hero worship into something
For GenZs, who grew up on technology and with self-cognizance, Magadheera feels just like the newbie who tries too tough to electrify. Here’s why I couldn’t recognize how the fable drama catapulted Ram Charan’s career to stardom!
Poor VFX, CGI
The beginning scene of the film itself changed into a turn off and in reality intolerable. It changed into sad to peer the very beautiful woman lead Kajal Aggarwal aka Princess Mithravinda Devi falling from a cliff in such an artificial scene, with Ram Charan aka Kala Bhairava leaping after her. The extremely terrible VFX and CGI made me experience like speedy forwarding the complete movie or watching it on 2X velocity. It had me questioning, changed into this film made in 2009 or the 90s era?
The storyline attempted
I can't deny the reality that the storyline and concept of the movie had been interesting, if a ways-fetched. A avenue-motorcycle racer Harsha is falsely embroiled in the homicide of Indu’s father and with the female’s kidnapping. However, their past lifestyles connection from four hundred years in the past allows them straighten the entirety out. It seems like something that suits Rajamouli’s sandbox however it stretches and traces in the course of the two hour 45 mins film.
Dialogues made me cross ‘eww’
The scene where Ranadev (Dev Gill) comes inebriated to speak with Indu, he best misbehaves with her throughout the conversation. The dialogues were so balk that at one point, he surely said, “Tumhaara tan, iss fal se bhi zyada meetha hai. Aur mai ise nichod ke peena chahta hu. Mai tumhaare tan ko chaba chabaakar uska rass nikaalna chaahta hu (Your body is more sweet that this fruit. I need to squeeze and drink it. I want to chunk your body and squeeze the juice out of it).” There had been many different such dialogues that had been outright despicable and might have been offered higher.
Female lead as a prop
We at the moment are living in a time where movies like Laapataa Ladies (2023) Bulbul (2020), and Gangubai Kathiawadi (2022) take priority. Female leads aren't used as mere props but they carry the film on their shoulders and take the story forward. Today, it’s now not about hero worshipping however specializing in revolutionary content and characters, whilst Magadheera has Kajal Aggarwal in a normal flower pot function.
Great cry and little wool
Rajamouli wanted us to be within the awe of Magadheera, but it’s smooth to peer thru the noise and understand there’s no nuance. The craft can best be praised if it’s now not protected with too much exaggerated drama. It become indulgent to the factor of disbelief. Several scenes have been as illogical as I saw them within the filmmaker’s current RRR (2022) and Baahubali (2015).
As a GenZ myself, I couldn’t connect to Magadheera the way audiences and critics did back in 2009. Watching the myth drama these days was like revisiting your father’s favored movie – you get why he loved it, but you furthermore mght realize that you have outgrown that type of cinema a long time again.
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